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Sci-Fu
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From School Library Journal
Gr 4–6—Wax, a budding deejay in 1980s Brooklyn, has a crush on his neighbor, Pirate Polly. He makes mixes with his friend Cooky P and works at his uncle Rashaad's ice-cream truck with Cooky and his sister D. One day Wax's beats accidentally get him, his crew, and his entire apartment building, including Polly and her pet cat, picked up by an alien ship and transported to the planet Discopia. Of course, the falling building kills the robot ruler King Chug Chug and rouses the anger of his son, Choo Choo, who vows revenge. All hopes of returning to Earth seem lost. With the help of Kabuki Snowman, who teaches Wax the art of Sci-Fu (or manipulating sound waves—the perfect talent for the aspiring deejay), our hero must create mixes that stop Choo Choo and his motley crew, the Five Deadly Dangers, in their tracks. Wax must learn Sci-Fu and remember what keeps him human before it's too late. This gem of a graphic novel is nostalgic but not overly retro. The art is exemplary, with a rich palette and eye-catching aliens, and the text is easy to read. Wax's raps are entertaining, and action words are interspersed liberally throughout. Thankfully, this fast-paced, lighthearted, fun title leaves room for a sequel. VERDICT For any middle grade reader looking for an engaging, out-of-this-world graphic novel.—Morgan Brickey, Arlington Public Library, TX
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Review
"A lighthearted tale with black and brown characters, matter-of-fact Brooklyn bilingualism, and a solid message of creating through failure and love." (Kirkus)"[...] it's Mercado’s artwork that truly puts a fresh spin on this tale; his heavy outlining and bright colorization make his cartoon characters jump off the page, which makes the many action sequences all that more impressive." (BookList)"His caricatured figures and dynamic layouts, coupled with a neon palette and graffiti flourishes, make for an entertaining story with a little something for everyone: hip-hop, tech-driven action, and romance." (Publisher's Weekly)A must have for libraries nationwide. (School Library Journal)
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Product details
Age Range: 9 - 12 years
Grade Level: 4 - 8
Lexile Measure: GN470L (What's this?)
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Series: Sci-Fu
Paperback: 144 pages
Publisher: Oni Press (March 13, 2018)
Language: English
ISBN-10: 1620104725
ISBN-13: 978-1620104729
Product Dimensions:
6 x 0.4 x 9 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#92,122 in Books (See Top 100 in Books)
Yehudi Mercado needs to be locked away because he's killing the comics game! My kids and I are addicted to Sci-Fu, a hilarious mix of middle school shenanigans and old school nostalgia that can't stop and won't stop leaping off the page. Five out of five mics.
Super entertaining graphic novel. I bought the book for my children, but then I got to reading it and could not put it down until I was done. The characters are great and easy to connect with. A special surprise with Pirate Polly story line. The 80's jump back in time is fun especially with Mercado's Spotify playlist listed in the back. I gave a copy to my co-workers nephew and he is wondering when book 2 is coming out.
Sci-Fu is a love letter mixtape to all things 80s hip hop that can be appreciated by middle grade readers and adults alike. It’s a book that demonstrates the power of graphic novels to speak to the senses: the colors and lettering, heavily influenced by graffiti art and 8-bit video game graphics, are so vibrant and kinetic that you can almost hear the music popping off the page. At the end, writer-illustrator Yehudi Mercado includes a link to a Spotify playlist of iconic old school hip hop that will make you want to re-read the book while listening—and actually, I’d recommend it.Main character Wax moves through his hero’s journey against a psychedelic sci-fi background, first in a diverse, multilingual 1980s Brooklyn alive with cool characters, fashion, and of course, sick beats, and then on to Discopia, the alien robot planet Wax has to save. He dreams of becoming the best DJ in the universe, but also struggles with normal kid problems, like fending off bullies and finding the courage to talk to his crush. Under the tutelage of his alien Sci-Fu sensei, Kabuki Snowman, and support from his friends and family, Wax faces off against a team of fantastical villains that, in classic hip hop fashion, are clearly sampled from some of the best of 80s pop culture. He’ll learn the skills he needs to save the universe and come into his own as a DJ and a person in the process, learning valuable lessons about hard work, friendship, and standing up for oneself.There is a lot to love about Sci-Fu, especially its cast of interesting supporting characters. Pirate Polly escapes the typical love interest trope with an exciting side plot and destiny, and smart, take-charge little sister The D deserves a spin-off series of her own. Sidekick Cooky P is a loyal friend who pushes Wax to keep improving, and ice cream-truck driving guardian Uncle Rasheed provides some comic relief in the form of dessert-flavored expletives. The villains rap, in a fun twist on typical superhero-fight banter, and bring their own surprise swerves to the storyline and its eventual resolution.Many elements, from the plot to the characters to the visual style, are clear homages to music, films, and even other comics. Perhaps strongest here is the “boys adventure†plot type, like the classic Stand by Me or modern throwback show Stranger Things. However, refreshingly, here we get a kids adventure with a mix of genders and backgrounds, and a plot firmly rooted in African-American and Afro-Latinx culture. This is not the 1980s of frizzy perms and synthesizer pop. This is tracksuits and sweatbands, Pan-African pendants, chunky hoop earrings and roller skates, and De La Soul. And the best part is, it’s only Book One.
Not too long I attended a local comic convention in the Chicago area call C2E2. I’d been to the New York Comic Con once or twice, but that was small potatoes compared to this extravaganza. While there I had the chance to see something that a lot of librarians miss: Comics in their natural element. Comics from big publishers. Comics from small publishers. Independent artists. And, naturally, panels panels panels. On one such panel I saw publisher Charlie "Spike" Trotman of Iron Circus Comics speak about the disconnect between comic creators and libraries. As she pointed out, a lot of librarians are unaware of the vast number of comics available out there and a lot of comic creators are aware of the distinct advantages that come from getting your work in libraries. She was entirely correct on that front. Comics for kids have never been more popular than they are today, but the output available from the standard children’s presses is far outstripped by the need. Add in the fact that 90% of what you find is by white creators, featuring white characters and you’ve got yourself a disconnect. While all these thoughts percolated in my head, I heard about “Sci-Fuâ€, a book that falls right smack dab into the shouldn’t-work-but-it-does school of thought. It’s not a book that’s going to correct the schism between what’s available and what libraries provide, but it’s a pretty little babystep in the right direction.As a kid, Wax can probably be best summed up as a boy with modest dreams. He only wants to be the greatest DJ the world has ever known. He only wants to have Pirate Polly, that incredibly cool girl down the street, as a girlfriend. He only wants to write rhymes that impress beyond measure. But Wax is just a normal kid with a best friend, little sister, and uncle. It’s the 1980s in Brooklyn and nothing out of this world has ever happened to him. Nothing, that is, until an evil alien robot hears his record scratching and interprets the sound as an intergalactic challenge. Now Wax has discovered that he, his family, and Pirate Polly have all been transported to the world of Discopia where he has very little time to master the music/kung-fu art of Sci-Fu before the baddies take him down for good.I’m an adult that pretends that she can read a book like a kid. Until I had kids I think I honestly believed that I could read with a child’s eye. But you forget, as you age, what it’s actually like for a kid to encounter a book that’s entirely new. I come at every book with a wealth of knowledge about what’s come before, what it might be referencing, and how it compares to other books in the same genre. A lot of a time a kid doesn’t have access to that information. They’re meeting these books on their own terms, and their interpretations are vastly different from my own. It can be near impossible to actually put yourself into their shoes . . . unless you’re dealing with a book like “Sci-Fuâ€. People often talk about what happens when a white reader encounters something that is Not For Them and how discombobulated they become. That’s not wrong. I acknowledge freely that I waltz into the reading of a lot of children’s books with a sense of ownership. That’s why “Sci-Fu†instantly befuddled me. This book is loaded down with references that I am simply not getting. Hip-hop references. Graffiti references. Kung Fu references. Heck, from what I understand the whole first chapter is filled with visual references to Beastie Boys songs. As I read, I realized I had to let a lot of this stuff just slip past my head. It was oddly freeing, knowing as I did that I didn’t need to get any of those references to enjoy the book. After all, a strong work doesn’t need nudges and winks to its adult gatekeepers to stand on its own. Just strong storytelling and killer art.Which isn’t to say I didn’t do my homework after reading this book. In interviews, Mr. Mercado has mentioned that the hip-hop influences on this book included Beastie Boys, LL Cool J, Run DMC, and A Tribe Called Quest. Kung Fu? That’s all about the Jackie Chan. One interviewer mentioned that what the artist does in this book isn’t just referencing hip-hop and Kung Fu but “sampling†them, as you would a beat or musical through line. I liked that link he made between comics and music. It’s something that’s been explored far more on the adult side of graphic literature, but deserves some serious thought here. Mr. Mercado even went so far as to create a Spotify playlist for this book. Now it looks like I’ll have to start calling books “must reads†alongside their “must listen†playlists.For years authors of books for kids have raided their own childhoods for their writing. Nostalgia is only a part of the reason. For many, the mantra to “write what you know†is easier when you can time travel to a point in your own past when your emotions were at their keenest and clearest. These days, however, there’s yet another reason. Set a book before the 90s and you’ve the additional advantage of telling your tale before the electronic revolution. Mobile phones and the internet are plot busters, plain and simple. That said, I think Mr. Mercado selected 80s Brooklyn as much for its place in history and the romanticism that goes with that as he did plot conveniences. And anyway, I’ve seen books that tried to make it out like scratching and flattops are contemporary, and they never go well. This book, frankly, makes more sense.But is it any good? Actually, yes. It’s a lot of fun. I think I heard a librarian somewhere claim that the rhymes (and there are a lot of them) don’t always scan on the page, but I reject that idea outright. The scansion was never a problem, as far as I could tell. I like Mercado’s rhymes, almost as much as I like his art. True, it’s busy. If you’re a fan of pure esthetics and clean lines against single color backgrounds, this is not the book for you. Visually, the story is trying to land as much pop, vitality, energy, wit, and sheer eyeball jarring magnificence in each panel as possible without distracting the young reader away from the storyline. The end result can sometimes be a little uneven, with certain fast sequences coming across as more coherent than others, but it’s never boring and it's impossible to ignore.In an interview, Yehudi Mercado mentioned that he’d encountered two different instances where famous DJs mentioned a link between their scratching and extraterrestrials. That’s one of those weird facts that leads artists to books like this one. Now don’t go handing this book to someone you’re trying to convert to loving comics. I’ll tell you right now, due to the complexity of the material, this is best suited for those folks that have loved comics for years and are interested in trying something new. Brown kids on graphic novel covers are rare in libraries, and black kids, sad to say, are almost unheard of, even in 2018. Seriously, walk over to any library’s comic book section and grab me three books there with black boys on their covers. This book steps into that gap with a love and affection for music and Kung Fu that few would be able to match, creating something wholly, incredibly, entirely new. Long story short: A must have for libraries nationwide.
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